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studioTSNH - try smarter, not harder

The studioTSNH is ideal for practitioners and teachers who are looking for new ideas for themselves or for their students progress - without the need for expensive trainings. Each cover of the offered digital mini-subscriptions are about a specific topic for a certain instrument.

Try smarter not harder alle Instrumente

3 steps to the mini subscription

1.

Choose

Choose your topic. You can click on the mini-subscription to find out more.

2.

Register

Register and activate the contents of the mini-subscription immediately. 

3.

Study

Use the upcoming 6 months to try everything out at your leisure. Get in touch if you have any questions!

Für Geige und Bratsche

Dieses Miniabo hilft Unterrichtenden, sich einen Überblick über die Inhalte der„Klangvoll-Hefte“ für Anfänger:innen zu machen, ohne dafür Geld auszugeben. Alle aktuellen Ausgaben sind enthalten, für Geige, Bratsche und Cello.

Mehr erfahren
@Klangvoll – Geige, Bratsche, Cello

Die 16 Übungen verbessern die Beweglichkeit der Finger und begünstigen ein warmes Handgefühl bei allen Musiker:innen. Sie werden in 48 Videos demonstriert (ca. 40 Minuten). Inklusive Tipps für Instrumentalist:innen.

Mehr erfahren
@Massagekugel warm

Dieses Warm-Up ist eine Unterstützung für hohe Streicher:innen, die kontinuierlich ihre Spieltechnik verbessern wollen, ohne dafür viel Zeit zu investieren. Es hat 4 Schritte (inklusive 16 Videodemonstrationen, 10 Minuten).

Mehr erfahren
@Warm-Up in 4 Schritten – Violine und Viola

Die Sammlung mit 33 Schritten unterstützt Fortgeschrittene dabei, ihre Spieltechnik in sechs Bereichen gezielt und erfolgreich zu verbessern: Tonleitern, Geläufigkeit, Saitenwechsel, Doppelgriffe/Intervalle, Akkordtechnik, Linke-Hand-Pizzicato-Spieltechnik (53 Videos, ca. 64 Minuten).

Mehr erfahren
@Mit links Verbessern – Violine und Viola

Die LHP-Übetechnik hilft hohen Streicher:innen, die Präzision ihrer Spieltechnik direkt zu steigern, ohne an Leistungsgrenzen zu stoßen. LHP steht für Linke-Hand-Pizzicato. Wenige Minuten täglich genügen bereits. Inklusive 74 Videodemonstrationen. 

Mehr erfahren
@LHP-Übetechnik – Violine und Viola

Die Bogenspielgeschichte unterstützt Unterrichtende, 12 ausgewählte Bogenhaltungsübungen spielerisch in den Unterricht mit Anfänger:innen zu integrieren, ohne sich selbst dafür etwas ausdenken zu müssen (inklusive 23 Videos und praktischen Downloads). 

Mehr erfahren
@Die Bogenspielgeschichte – Violine und Viola

Die 33 Übungen helfen allen hohen Streicher:innen mit einem Griffbrettaufsatz, dieses beim Üben verschiedener Spieltechniken noch gezielter und erfolgreicher anzuwenden, ohne selbst experimentieren zu müssen (35 Videos, 30 Minuten).

Mehr erfahren
@Best Practice – Violine und Viola

Diese Sammlung mit 39 Übungen und 91 Variationen hilft hohen Streicher:innen, ein Armvibrato zu entwickeln, das ihren persönlichen Wünschen entspricht – die vermutlich einzige Sammlung weltweit. Inklusive 100 Videodemonstrationen.

Mehr erfahren
@Armvibrato – Violine und Viola

Für Klavier

Die 16 Übungen verbessern die Beweglichkeit der Finger und begünstigen ein warmes Handgefühl bei allen Musiker:innen. Sie werden in 48 Videos demonstriert (ca. 40 Minuten). Inklusive Tipps für Instrumentalist:innen.

Mehr Erfahren
@Massagekugel warm

Das Miniabo bietet Klavierlehrer:innen eine Auswahl an Übungen für Anfänger:innen, um Rhythmusstabilität und gute Koordination von Anfang anzulegen, ohne auf beliebte Klavierschulen zu verzichten (inklusive 44 Videodemonstrationen, 22 Minuten).

Mehr Erfahren
@Rhythmus internalisieren – Klavier

Für Cello

Dieses Miniabo hilft Unterrichtenden, sich einen Überblick über die Inhalte der„Klangvoll-Hefte“ für Anfänger:innen zu machen, ohne dafür Geld auszugeben. Alle aktuellen Ausgaben sind enthalten, für Geige, Bratsche und Cello.

Mehr erfahren
@Klangvoll – Geige, Bratsche, Cello

Die 16 Übungen verbessern die Beweglichkeit der Finger und begünstigen ein warmes Handgefühl bei allen Musiker:innen. Sie werden in 48 Videos demonstriert (ca. 40 Minuten). Inklusive Tipps für Instrumentalist:innen.

Mehr erfahren
@Massagekugel warm

Für alle Instrumente 


Die 16 Übungen verbessern die Beweglichkeit der Finger und begünstigen ein warmes Handgefühl bei allen Musiker:innen. Sie werden in 48 Videos demonstriert (ca. 40 Minuten). Inklusive Tipps für Instrumentalist:innen.

@Massagekugel warm

For violin and viola


This mini-subscription enables teachers an overview of the contents of the ‘Tuneful’ booklets for beginners without spending any money. All current editions are included, for violin, viola and cello.

@Tuneful – violin, viola, cello

The 16 exercises improve the flexibility of the fingers and favour a warm hand feeling. They are demonstrated in 48 videos (approx. 40 minutes). Including extra tips for instrumentalists.

@A round way to warm up – massage balls

This warm-up helps high string players who want to continuously improve their playing technique without investing lots of time. It has 4 steps (including 16 video demonstrations, 10 minutes).

@Warm up in 4 steps – violin and viola

LHP helps all violin and viola players to directly increase the precision of their playing technique without reaching any limitations. LHP stands for left-hand pizzicato. Includes 74 video demonstrations.

@LHP practice technique – violin and viola

This collection helps advanced players to improve their playing technique in six areas: scales, increasing fluency, string crossing, double stops/intervals, chords, left-hand pizzicato playing technique (53 videos, 64 minutes).

@Improve with the left – violin and viola

The 33 exercises help high string players to use their fingerboard attachment even more specifically and successfully when practising without the need for experimentation (35 videos, approx. 30 minutes).

@Best Practice – violin and viola

This collection of 39 exercises and 91 variations helps high string players to develop an arm vibrato that suits their personal preferences. Includes 100 video demonstrations, approx. 59 minutes.

@Arm vibrato – violin and viola

For piano


The 16 exercises improve the flexibility of the fingers and favour a warm hand feeling. They are demonstrated in 48 videos (approx. 40 minutes). Including extra tips for instrumentalists.

@A round way to warm up – massage balls

The collection offers piano teachers exercises for beginners to build rhythmic stability and good coordination right from the start, without sacrificing popular piano schools (44 video demonstrations, 22 minutes).

@Internalize rhythm – piano

For cello


This mini-subscription enables teachers an overview of the contents of the ‘Tuneful’ booklets for beginners without spending any money. All current editions are included, for violin, viola and cello.

@Tuneful – violin, viola, cello

The 16 exercises improve the flexibility of the fingers and favour a warm hand feeling. They are demonstrated in 48 videos (approx. 40 minutes). Including extra tips for instrumentalists.

@A round way to warm up – massage balls

For all instruments


The 16 exercises improve the flexibility of the fingers and favour a warm hand feeling. They are demonstrated in 48 videos (approx. 40 minutes). Including extra tips for instrumentalists.

@A round way to warm up – massage balls

FAQ

Copyrights

The content in the studio is protected by copyright. We attach great importance to ensuring that these rights are respected. That is why there are clear rules that are communicated via the subscription conditions and confirmed by the subscribers. 

Who can become a subscriber?

Pick up ideas

Anyone with an interest in the content of studioTSNH can become a subscriber. Ideally, you should play, learn or teach an instrument, teach singing or vocals, be an ensemble leader, teach music at general education schools or want to teach or learn music theory subjects. 

To pick up ideas: You register by subscribing to a mini-subscription. Further mini-subscriptions can be added later in the personal user account.

Where are the ideas from?

In principle, anyone can contribute ideas and help develop the content of the studioTSNH. Overall, the focus is on practice and mediation ideas. In principle, "idea contributors" work closely with the initiators of TSNH to prepare the content for the studio, implement it technically (if necessary) and also clarify the legal issues. 

Are "idea contributers" paid?

Contributors of ideas receive a share of the sales. The amount and scope depend on several criteria, e.g:

  • Scope of the submission (single idea? Several? A whole range of topics?)
  • does the submission become a separate mini-subscription or is it a "shared subscription"?
  • according to the demand for the mini-subscription and thus according to the sales volume of the subscription / partial subscription
  • Number of languages/translations

It is important to TSNH that everyone receives something for their work and ideas. The details are agreed individually in each case.  

How much does a mini-subscription cost?

Everyone should be able to afford mini-subscriptions, i.e. the "collection" of ideas. With the prices, we roughly differentiate between very large, medium and small subscriptions based on the quantity of the scope. We are not expressing value in a qualitative sense. The price is advertised on the product page. It is a one-off payment! There are also free mini-subscriptions.

Are there adverts in the studio?

Quiet and undisturbed

Distractions while working on the content offered at studioTSNH are not necessarily conducive to healthy learning and music-making. For this reason, third party adverts of any kind are refrained from.

The topic of "advertising" in general also includes the topic of "information". The boundaries between what is useful and what is superfluous are fluid and are assessed highly subjectively. studioTSNH handles this as follows:

If information can offer added value to the individual user, it will be made available, e.g. in the subscriber's user account, through links in texts, etc. It serves the purpose of transparency and user-friendly use of this medium. The decisive factor in each case is the information character. 

How can I contribute with ideas?

The way can be roughly described as follows:

  1. You send us your ideas/content for a subscription without any obligation and add examples so that we can get an initial idea.
  2. We will then get in touch with you and discuss your project in more detail, clarify the question of authorship and organisational details. It will then become clear, both for you and for TSNH, whether and how a subscription can be realised. 
  3. However, the media preparation of the ideas, the input into studioTSNH and the contractual clarification will then begin. 
  4. This is followed by a short test period before the subscription is activated.

Are there any subsidies available?

There are currently no funding opportunities from TSNH. 

How long does a subscription last?

Each subscription has a term of 6 months. After that, the subscription ends automatically. However, subscribers can extend or renew their subscription. You will be notified before the end of the term. 

The small print

Each subscriber agrees to the Terms of Subscription. These regulate how content can be handled. Subscribers should also study the Right of withdrawal, as a special right of cancellation applies to content on digital media. 

Ideas and inspiration for self-learning

Choose what will help you move forward!

The mini subscriptions all have a main topic. The topic and scope can be found in the respective announcements. The list and ideas of topics still to be published is growing and growing. As long as there are ideas, studioTSNH will continue to grow. You can already see what will be published next in a small overview below. If you would like to be informed about the launch, sign up for our emaNews

This is being created

For all instruments

A mini-subscription on the subject of ‘phrasing’ is currently being created, which shows how practising musical phrases can be combined with the use of the whole body. The great advantage of this is that phrases that are really ‘felt’ come across as authentic, genuine and powerful - and therefore also impress the audience. This approach is based on a principle that can be applied to almost all instruments and singers. In the Miniabo, we use the piano as an example and give tips on how this approach can be transferred to other instrument groups.

In addition, there is a practical collection of rhythms in 1-, 2-, 3- and 4-part variations with thousands of possible combinations, which are extremely helpful for practising and teaching.

For violin and viola

A mini-subscription on the subject of ‘fine motor skills’ is currently being developed. It contains small, targeted interventions that you can carry out once in a while and that can be integrated perfectly into violin and viola lessons.

For cello

A collection of 37 exercises for practising with the fingerboard attachment on the cello is currently being created. 

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